Φιλοσοφία

url : https://www.ellopos.gr/semiotics/

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Αναφορές

• Allen, Robert C. (Ed.) (1992): Channels of Discourse, Reassembled. London: Routledge
• Altman, Rick (1992): 'The Material Heterogeneity of Recorded Sound'. In Rick Altman (Ed.): Sound Theory, Sound Practice. New York: Routledge, pp. 15-31
  
• Ang, Ien (1985): Watching 'Dallas': Soap Opera and the Melodramatic Imagination. London: Methuen
  
• Alvarado, Manuel, Robin Gutch & Tana Wollen (1987): Learning the Media. London: Macmillan (Chapter 4, 'Narrative')
  
• Andersson, Lars-Gunnar & Peter Trudgill (1992): Bad Language. Harmondsworth: Penguin
  
• Baggaley, Jon & Steve Duck (1976): Dynamics of Television. Farnborough: Saxon House
  
• Barry, Ann Marie Seward (1997): Visual Intelligence: Perception, Image and Manipulation in Visual Communication. New York: State University of New York Press
  
• Barthes, Roland ([1957] 1987): Mythologies. New York: Hill & Wang
• Barthes, Roland (1967). Elements of Semiology (trans. Annette Lavers & Colin Smith). London: Jonathan Cape
  
• Barthes, Roland (1974): S/Z. London: Cape
• Barthes, Roland (1977): Image-Music-Text. London: Fontana
• Barthes, Roland (1985): The Fashion System (trans. Matthew Ward & Richard Howard). London: Jonathan Cape
  
• Baudrillard, Jean (1984): 'The Precession of Simulacra'. In Brian Wallis (Ed.): Art After Modernism: Rethinking Representations, Vol. 1. New York: Museum of Contemporary Art (reprinted from Art and Text 11 (September 1983): 3-47
  
• Baudrillard, Jean (1988): Selected Writings (Ed. Mark Poster). Cambridge: Polity Press
  
• Belsey, Catherine (1980): Critical Practice. London: Methuen
  
• Berger, Arthur Asa (1982): Media Analysis Techniques. Newbury Park, CA: Sage (Chapter 1, 'Semiological Analysis'; also available in Oliver Boyd-Barrett & Peter Braham (Eds.) (1987): Media, Knowledge and Power. London: Croom Helm)
  
• Bignell, Jonathan (1997): Media Semiotics: An Introduction. Manchester: Manchester University Press
  
• Blonsky, Marshall (Ed.) (1985): On Signs: A Semiotics Reader. Oxford: Blackwell
• Bolter, Jay David (1991): Writing Space: The Computer, Hypertext and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum
  
• Boorstin, Daniel J (1961): The Image, or What Happened to the American Dream. London: Weidenfeld and Nicolson
  
• Borgatti, Stephen P (1998): 'Markedness' [WWW document]
• Burgelin, Olivier (1968): 'Structural Analysis and Mass Communication'. In Denis McQuail (Ed.) (1972): Sociology of Mass Communications. Harmondsworth: Penguin
• Burgin, Victor (Ed.) (1982): Thinking Photography. London: Macmillan
• Burgin, Victor (1982a): 'Photographic Practice and Art Theory'. In Burgin (Ed.), op. cit., pp. 39-83
• Burgin, Victor (1982b): 'Looking at Photographs'. In Burgin (Ed.), op. cit., pp. 142-153
• Buxton, David (1990): From 'The Avengers' to 'Miami Vice': Form and Ideology in Television Series. Manchester: Manchester University Press
  
• Cameron, Deborah (1992): Feminism and Linguistic Theory (2nd edn.). London: Macmillan
  
• Carey, John (1974): 'Temporal and Spatial Transitions in American Fiction Films', Studies in the Anthropology of Visual Communication 1: 45-50
  
• Carey, John (1982): 'Conventions and Meaning in Film'. In Sari Thomas (Ed.): Film/Culture: Explorations of Cinema in its Social Context. Metuchen, NJ: Scarecrow Press
  
• Chandler, Daniel (1995): The Act of Writing: A Media Theory Approach. Aberystwyth: University of Wales, Aberystwyth
  
• Chase, Stuart (1938): The Tyranny of Words. New York: Harcourt, Brace & World
  
• Clark, Herbert H & Eve V Clark (1977): Psychology and Language: An Introduction to Psycholinguistics. New York: Harcourt Brace Jovanovich
  
• Cobley, Paul & Litza Jansz (1997): Semiotics for Beginners (retitled Introducing Semiotics, 1999). Cambridge: Icon
  
• Cook, Guy (1992): The Discourse of Advertising. London: Routledge
  
• Corner, John (1980): 'Codes and Cultural Analysis', Media, Culture and Society 2: 73-86
  
• Corner, John (1983): 'Textuality, Communication and Power'. In Davis & Walton (Eds.), op. cit., pp. 266-81
  
• Corner, John & J Hawthorne (Eds.) (1980): Communication Studies: An Introductory Reader (1st Edn.). London: Edward Arnold
  
• Coward, Rosalind & John Ellis (1977): Language and Materialism: Developments in Semiology and the Theory of the Subject. London: Routledge & Kegan Paul
  
• Culler, Jonathan (1975): Structuralist Poetics: Structuralism, Linguistics and the Study of Literature. London: Routledge & Kegan Paul
  
• Danesi, Marcel (1994a): Messages and Meanings: An Introduction to Semiotics. Toronto: Canadian Scholars' Press
  
• Danesi, Marcel (1994b): Cool: The Signs and Meanings of Adolescence. Toronto: University of Toronto Press
  
• Davis, Howard & Paul Walton (Eds.) (1983a): Language, Image, Media. Oxford: Basil Blackwell
  
• Davis, Howard & Paul Walton (1983b): 'Death of a Premier: Consensus and Closure in International News'. In Davis & Walton (Eds.), op. cit, pp. 8-49
  
• de Lauretis, Teresa (1984): Alice Doesn't: Feminism, Semiotics, Cinema. London: Macmillan
  
• Deacon, David, Michael Pickering, Peter Golding & Graham Murdock (1999): Researching Communications: A Practical Guide to Methods in Media and Cultural Analysis. London: Arnold
  
• Deregowski, Jan B (1980): Illusions, Patterns and Pictures: A Cross-Cultural Perspective. New York: Academic Press
  
• Derrida, Jacques (1978): Writing and Difference (trans. Alan Bass). London: Routledge & Kegan Paul
  
• Douglas, Mary (1982): 'The Future of Semiotics', Semiotica 38(3/4): 197-203
  
• Dyer, Gillian (1982): Advertising as Communication. London: Routledge
  
• Eaton, Mick (Ed.) (1981): Cinema and Semiotics (Screen Reader 2). London: Society for Education in Film and Television
  
• Eco, Umberto (1965): 'Towards a Semiotic Enquiry into the Television Message', In Corner & Hawthorn (Eds.) (1980), pp. 131-50
  
• Eco, Umberto (1976): A Theory of Semiotics. Bloomington: Indiana University Press/London: Macmillan
• Eco, Umberto (1981): The Role of the Reader. London: Hutchinson
  
• Eco, Umberto (1982): 'Critique of the Image'. In Burgin (Ed.), op. cit.
• Eco, Umberto (1984): Semiotics and the Philosophy of Language. Bloomington: Indiana University Press
• Eco, Umberto (1985): 'How Culture Conditions the Colours We See'. In Blonsky (Ed.), op. cit., pp. 158-75
  
• Eco, Umberto (1994): Apocalypse Postponed (Ed. Robert Lumley). London: BFI/Bloomington: Indiana University Press
  
• Feuer, Jane (1992): 'Genre study and television'. In Allen (Ed.), op. cit.
• Fish, Stanley (1980): Is There A Text In This Class? The Authority Of Interpretive Communities. Cambridge, MA: Harvard University Press
• Fiske, John (1982): Introduction to Communication Studies. London: Routledge (Chapter 3, 'Communication, Meaning and Signs'; Chapter 4, 'Codes'; Chapter 5, 'Signification'; Chapter 6, 'Semiotic Methods and Applications'); Chapter 8, 'Ideology and Meanings')
• Fiske, John (1987): Television Culture. London: Routledge
• Fiske, John (1989a): 'Codes'. In International Encyclopedia of Communications, Vol. 1. New York: Oxford University Press, pp. 312-6
  
• Fiske, John (1989b): 'Moments of television: neither the text nor the audience'. In Ellen Seiter, Hans Borchers, Gabriel Kreutzner & Eva-Maria Warth (Eds.): Remote Control: Television, Audiences and Cultural Power. London: Routledge
• Fiske, John (1992): 'British Cultural Studies and Television'. In Allen (Ed.), op. cit., pp. 284-326; also in Storey (Ed.) (1996), op. cit., pp. 115-146
  
• Fiske, John & John Hartley (1978): Reading Television. London: Methuen
• Fleming, Dan (1996): Powerplay: Toys as Popular Culture. Manchester: Manchester University Press
  
• Franklin, Sarah, Celia Lury & Jackie Stacey (1996): 'Feminism and Cultural Studies: Pasts, Presents, Futures'. In John Storey (Ed.) op. cit., pp. 255-72
  
• Gardiner, Michael (1992): The Dialogics of Critique: M M Bakhtin and the Theory of Ideology. London: Routledge
  
• Glasgow University Media Group (1980): More Bad News. London: Routledge & Kegan Paul
  
• Goldman, Robert & Stephen Papson (1994): 'Advertising in the Age of Hypersignification', Theory, Culture & Society 11 (August), 23-54
  
• Goldsmith, Evelyn (1984): Research into Illustrations: An Approach and a Review. Cambridge: Cambridge University Press
  
• Gombrich, Ernst H (1974): 'The Visual Image'. In David R Olson (Ed.): Media and Symbols: The Forms of Expression, Communication and Education. Chicago, IL: University of Chicago Press, pp. 255-8; first published in Scientific American 227 (September 1971): 82-96
  
• Gombrich, Ernst H (1977): Art and Illusion: A Study in the Psychology of Pictorial Representation. London: Phaidon
  
• Goodman, Nelson (1968): Languages of Art: An Approach to a Theory of Symbols. London: Oxford University Press
  
• Greenberg, J H (1966): Language Universals. The Hague: Mouton
  
• Greimas, Algirdas (1987): On Meaning: Selected Writings in Semiotic Theory (trans. Paul J Perron & Frank H Collins). London: Frances Pinter
  
• Guiraud, Pierre (1975): Semiology (trans. George Gross). London: Routledge & Kegan Paul
  
• Gumpert, Gary & Robert Cathcart (1985): 'Media Grammars, Generations and Media Gaps', Critical Studies in Mass Communication 2: 23-35
• Gurevitch, Michael Tony Bennett, James Curran & Janet Woollacott (Eds.) (1982): Culture, Society and the Media. London: Routledge
• Hall, Edward (1966): The Hidden Dimension. New York: Doubleday
  
• Hall, Stuart (1977): 'Culture, the Media and the "Ideological Effect'. In James Curran, Michael Gurevitch & Janet Woollacott (Eds.): Mass Communication and Society. London: Edward Arnold
  
• Hall, Stuart ([1973] 1980): 'Encoding/decoding'. In Centre for Contemporary Cultural Studies (Ed.): Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 London: Hutchinson, p. 128-38
• Hall, Stuart (1982): 'The rediscovery of "ideology": return of the repressed in media studies'. In Gurevitch et al. (Eds.), op. cit.
• Hall, Stuart (1996): 'Cultural Studies: Two Paradigms'. In John Storey (Ed.) op. cit., pp. 31-48
  
• Hartley, John (1982): Understanding News. London: Methuen
  
• Hawkes, Terence (1977): Structuralism and Semiotics. London: Routledge
• Hayward, Susan (1996): Key Concepts in Cinema Studies. London: Routledge
  
• Heath, Stephen (1981): 'Metz's Semiology: A Short Glossary'. In SEFT (Ed.), op. cit., pp. 125-137
  
• Hjelmslev, Louis (1961): Prolegomena to a Theory of Language. Madison: University of Wisconsin Press
  
• Hodge, Robert & Gunther Kress (1988): Social Semiotics. Cambridge: Polity
  
• Hodge, Robert & David Tripp (1986): Children and Television: A Semiotic Approach. Cambridge: Polity Press
• Innis, Robert E (Ed.) (1986): Semiotics: An Introductory Reader. London: Hutchinson
  
• Jakobson, Roman (1960): 'Closing Statement: Linguistics and Poetics'. In Sebeok (Ed.), op.cit., pp. 350-77
  
• Jakobson, Roman (1971): 'Language in Relation to Other Communication Systems'. In Roman Jakobson (Ed.): Selected Writings, Vol. 2. Mouton: The Hague, pp. 570-79
• Jensen, Klaus Bruhn (1995): The Social Semiotics of Mass Communication. London: Sage
• Johnson, Richard (1996): 'What is Cultural Studies Anyway?'. In John Storey (Ed.) op. cit., pp. 75-114
  
• Kozloff, Sarah (1992): 'Narrative theory and television'. In Allen (Ed.), op. cit.
• Kress, Gunther (1976): 'Structuralism and Popular Culture'. In C W E Bigley (Ed.): Approaches to Popular Culture. London: Edward Arnold, pp. 85-106
  
• Kress, Gunther & Theo van Leeuwen (1996): Reading Images: The Grammar of Visual Design. London: Routledge
  
• Lacan, Jacques (1977): Ιcrits. London: Tavistock
  
• Langholz Leymore, Varda (1975): Hidden Myth: Structure and Symbolism in Advertising. New York: Basic Books
  
• Lapsley, Robert & Michael Westlake (1988): Film Theory: An Introduction. Manchester: Manchester University Press (Chapter 2, 'Semiotics')
• Leiss, William, Stephen Kline & Sut Jhally (1990): Social Communication in Advertising: Persons, Products and Images of Well-Being (2nd Edn.). London: Routledge
  
• Lemon, Lee T & Marion J Reis (1965): Russian Formalist Criticism. Lincoln, NE: University of Nebraska Press
  
• Lévi-Strauss, Claude (1974): The Savage Mind. London: Weidenfeld & Nicolson
• Lewis, Justin (1991): The Ideological Octopus: An Exploration of Television and its Audience. New York: Routledge (Chapter 2, 'Rethinking Television')
  
• Manktelow, K I & D E Over (1990): Inference and Understanding: A Philosophical and Psychological Perspective. London: Routledge
  
• Masterman, Len (1985): Teaching the Media. London: Routledge/Comedia (Chapter 5, 'Rhetoric', section 9, 'Narrative')
• McKim, Robert H (1972): Experiences in Visual Thinking. Monterey, CA: Brooks/Cole
  
• McQuarrie, Edward F & David Glen Mick (1992): 'On Resonance: A Critical Pluralistic Inquiry into Advertising Rhetoric', Journal of Consumer Research 19: 180-97
  
• McQuarrie, Edward F & David Glen Mick (forthcoming): 'Visual Rhetoric in Advertising: Text-Interpretative, Experimental and Reader-Response Analyses', Journal of Consumer Research
  
• Messaris, Paul (1982): 'To What Extent Does One Have to Learn to Interpret Movies?' In Sari Thomas (Ed.): Film/Culture. Metuchen, NJ: Scarecrow Press, pp. 168-83
  
• Messaris, Paul (1994): Visual 'Literacy': Image, Mind and Reality. Boulder, CO: Westview Press
  
• Metz, Christian (1974): Film Language: A Semiotics of the Cinema (trans. Michael Taylor). New York: Oxford University Press
• Metz, Christian (1981): 'Methodological Propositions for the Analysis of Film'. In SEFT (Ed.), op. cit., pp. 86-98
  
• Mick, David Glen (1986): 'Consumer Research and Semiotics: Exploring the Morphology of Signs, Symbols and Significance', Journal of Consumer Research 13(2): 196-213
  
• Mick, David Glen (1988): 'Schema-theoretics and Semiotics: Toward More Holistic, Programmatic Research on Marketing Communication', Semiotica 70(1/2): 1-26
  
• Mick, David Glen (1991): 'Giving Gifts to Ourselves': A Greimassian Analysis Leading to Testable Propositions'. In Hanne Hartvig Larsen, David Glen Mick & Christian Alsted (Eds.): Marketing and Semiotics: Selected Papers from the Copenhagen Symposium. Copenhagen: Handelshψjskolens Forlag, pp. 142-59
  
• Mick, David Glen & Claus Buhl (1992): 'A Meaning-based Model of Advertising Experiences', Journal of Consumer Research 19: 317-38
  
• Mick, David Glen & Laura G Politi (1989): 'Consumers' Interpretations of Advertising Imagery: A Visit to the Hell of Connotation'. In Elizabeth C Hirschman (Ed.): Interpretive Consumer Research. Provo, UT: Association for Consumer Research, pp. 85-96
  
• Millum, Trevor (1975): Images of Woman: Advertising in Women's Magazines. London: Chatto & Windus
  
• Monaco, James (1981): How to Read a Film. New York: Oxford University Press (Part III, 'The Language of Film: Signs and Syntax')
• Moores, Shaun (1993): Interpreting Audiences: The Ethnography of Media Consumption. London: Sage
  
• Morley, David (1980): The 'Nationwide' Audience: Structure and Decoding. London: BFI
  
• Morley, David (1981a): '"The Nationwide Audience" - A Critical Postscript', Screen Education 39: 3-14
  
• Morley, David (1981b): Interpreting Television. In Popular Culture and Everyday Life (Block 3 of U203 Popular Culture). Milton Keynes: Open University Press, pp. 40-68
  
• Morley, David (1983): 'Cultural Transformations: The Politics of Resistance'. In Davis & Walton (Eds.), op. cit., pp. 104-17
  
• Morley, David (1992): Television, Audiences and Cultural Studies. London: Routledge (Chapters 3 & 4)
  
• Morris, Charles W (1938/1970): Foundations of the Theory of Signs. Chicago: Chicago University Press
  
• Morris, Charles W (1946): Signs, Language and Behavior. New York: Prentice-Hall
  
• Myers, Kathy (1983): 'Understanding Advertisers'. In Davis & Walton (Eds.), op. cit., pp. 205-223
  
• Neale, Stephen (1980): Genre. London: BFI
  
• Nichols, Bill (1981): Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington: Indiana University Press
  
• Nightingale, Virginia (1996): Studying Audiences: The Shock of the Real. London: Routledge (Chapter 2, 'Encoding/Decoding', pp. 21-39, is a useful review of Stuart Hall's influential model of 'the circuit of communication')
  
• Noth, Winfried (1990): Handbook of Semiotics. Bloomington: Indiana University Press
• O'Sullivan, Tim, John Hartley, Danny Saunders, Martin Montgomery & John Fiske (1994): Key Concepts in Communication and Cultural Studies. London: Routledge
  
• Parkin, Frank (1972): Class Inequality and Political Order. London: Granada
• Piaget, Jean (1929): The Child's Conception of the World. New York: Humanities Press
  
• Real, Michael R (1996): Exploring Media Culture: A Guide. Thousand Oaks, CA: Sage
  
• Salt, Barry (1983): Film Style and Technology: History and Analysis. London: Starword
  
• Saussure, Ferdinand de ([1915] 1974): Course in General Linguistics. London: Fontana/Collins
• Schapiro, Meyer (1986): 'On Some Problems in the Semiotics of Visual Art: Field and Vehicle in Image-Signs'. In Innis (Ed.), op. cit., pp. 208-25; originally published in 1969 in Semiotica 1(3), pp. 223-42
  
• Scott, Linda M (1994a): 'Images in Advertising: The Need for a Theory of Visual Rhetoric', Journal of Consumer Research 21: 252-73
  
• Scott, Linda M (1994b): 'The Bridge from Text to Mind: Adapting Reader Response Theory to Consumer Research', Journal of Consumer Research 21: 461-80
  
• Sebeok, Thomas A (Ed.) (1960): Style in Language. Cambridge, MA: MIT Press
  
• Sebeok, Thomas A (Ed.) (1977): A Perfusion of Signs. Bloomington: Indiana University Press
  
• Sebeok, Thomas A (1994): An Introduction to Semiotics. London: Pinter
  
• Seiter, Ellen (1992): 'Semiotics, structuralism and television'. In Allen (Ed.), op. cit.
  
• Shannon, Claude E & Warren Weaver (1949): A Mathematical Model of Communication. Urbana, IL: University of Illinois Press
• Silverman. Kaja (1983): The Subject of Semiotics. New York: Oxford University Press
  
• Slater, Don (1983): 'Marketing Mass Photography'. In Davis & Walton (Eds.), op. cit., pp. 245-263
  
• Sless, David (1986): In Search of Semiotics. London: Croom Helm
  
• Solomon, Jack (1988): The Signs of Our Time: The Secret Meanings of Everyday Life. New York: Harper & Row
  
• Stam, Robert, Robert Burgoyne & Sandy Flitterman-Lewis (1992): New Vocabularies in Film Semiotics: Structuralism, Post-Structuralism and Beyond. London: Routledge
  
• Storey, John (Ed.) (1996): What is Cultural Studies? London: Arnold
• Strinati, Dominic (1995): An Introduction to Theories of Popular Culture. London: Routledge
  
• Sturrock, John (1986): Structuralism. London: Paladin
  
• Tagg, John (1988): The Burden of Representation: Essays on Photographies and Histories. Basingstoke: Macmillan
  
• Thayer, Lee (1982): 'Human Nature: Of Communication, of Structuralism, of Semiotics', Semiotica 41(1/4): 25-40
  
• Thwaites, Tony, Lloyd Davis & Warwick Mules (1994): Tools for Cultural Studies: An Introduction. South Melbourne: Macmillan (very readable Australian application of semiotic principles)
  
• Tilley, Adrian (1991): 'Narrative'. In David Lusted (Ed.): The Media Studies Book. London: Routledge
• Tolson, Andrew (1996): Mediations: Text and Discourse in Media Studies. London: Arnold
• Tudor, Andrew (1974): Image and Influence: Studies in the Sociology of Film. London: George Allen & Unwin
  
• Turner, Graeme (1992): British Cultural Studies: An Introduction. New York: Routledge
  
• Ullmann, Stephen (1972): Semantics: An Introduction to the Science of Meaning. Oxford: Basil Blackwell
  
• Umiker-Sebeok, Jean (Ed.) (1987): Marketing and Semiotics. Amsterdam: Mouton de Gruyter
  
• Watney, Simon (1982): 'Making Strange: The Shattered Mirror'. In Burgin (Ed.), op. cit., pp. 154-76
• Wells, Rulon S (1977): 'Criteria for Semiosis'. In Sebeok (Ed.), op. cit., pp. 1-21
  
• Willemen, Paul (1994): Looks and Frictions: Essays in Cultural Studies and Film Theory. London: BFI/Bloomington: Indiana University Press
  
• Williamson, Judith (1978): Decoding Advertisements. London: Marion Boyars
  
• Wollen, Peter (1969): Signs and Meaning in the Cinema. London: Secker & Warburg/BFI
  
• Woodward, Kathryn (Ed.) (1997): Identity and Difference. London: Sage/Open University
  
• Woollacott, Janet (1982): 'Messages and Meanings'. In Gurevitch et al. (Eds.), op. cit.
• Wren-Lewis, Justin (1983): 'The Encoding/Decoding Model: Criticisms and Redevelopments for Research on Decoding', Media Culture & Society 5(2): 179-97
  
• Young, Brian M (1990): Television Advertising and Children. Oxford: Clarendon Press
  
• Zeman, J Jay (1977): 'Peirce's Theory of Signs'. In Sebeok (Ed.), op. cit., pp. 22-39
  

See also general reference works on communication, media, language, literary theory, social science and the history of ideas.

Daniel Chandler
UWA 1994